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EDITREADY TRANSCODED GH5 FOOTAGE DARKER MP4
EDITREADY TRANSCODED GH5 FOOTAGE DARKER UPGRADE

Nice to actually be able to edit the footage from your fancy new camera…ĮditReady can also be used as a player. Useful if you’re handing off footage to other members of the team who will all need consistent reference points if they’re reviewing footage. This means you can use the overlay tool to burn-in timecode, reelnames, shoot dates and media names. You can import images with alpha channels to add bugs or watermarks or layout custom formatted text, including metadata values from the source media. Burn (in), babyĪnother new feature is the adding overlays to the media on top of your video. Write DNxHD/HR OPAtom or OP1a MXFs for Avid Media Composer. You should output QuickTime movies for Adobe Premiere Pro and Apple Final Cut Pro, FCPX, and iMovie.

EDITREADY TRANSCODED GH5 FOOTAGE DARKER MP4

QuickTime and MP4 cameras, DSLRs, and phones.

It’s worth considering transcoding if you’re using footage from: Transcoding will make editing easier with less rendering. Some codecs from cameras are heavily compressed and are just hard on your computer to edit.

Burn-in timecode, metadata, custom text and imagesĮditReady works with more than just GH5 footage.

This adds up if you have an hour of media. EditReady shaved off a minute over Media Encoder, tested with a 7.5 minute clip. It’s the single most time consuming thing if you have a big shoot with lots of media. No-one wants to wait for long transcodes. The new 2.0 version transcodes those pesky GH5 10bit files with ease so you can get to editing.

EDITREADY TRANSCODED GH5 FOOTAGE DARKER UPGRADE

You will need to upgrade to the newest version.

Unfortunately the V1 of the software doesn’t work with the 10bit GH5 files. It does a great job doing what it does: transcoding. EditReady 2 to the rescueĮditReady is a transcoding/rewrapping software I’ve owned for a while now. I’ve tried Adobe Media Encoder as well to transcode to another format with no luck. When imported, Premiere Pro sees them as audio files. Us Premiere Pro editors can’t edit any of the 10bit files at all. Here is where you FCP X editors can gloat! You folks can edit GH5 footage with no issues. 10bit internal recording is a great option to have but, those 10bit files are not user friendly yet on a Mac computer using Premiere Pro. The GH5 is proving to be a very nice camera with a lot of horsepower.